RECLAIMING THE FOREST
This film can certainly
be recommended, especially for courses on development and its effect
on tribal peoples.
Nancy
M. Flowers
57 minutes (16mm) or 39
minutes (VHS) Colour 1986
Film-makers: Paul Henley and Georges Drion
Reclaiming The Forest is about the competition
between national governments, itinerant gold miners and indigenous
inhabitants for control of an area of South American rain-forest.
In 1982, a gold rush broke
out near a small village on the Venezuelan border with Guyana. Although
it was situated in a National Park, thousands of prospectors poured
in from all over Venezuela and neighbouring countries, including
many hundreds of Amerindians from Guyana. Many of these Amerindians
were in fact returning to the area that their fathers or grandfathers
had abandoned some sixty years ago when they were persuaded to move
over to Guyana by Seventh Day Adventist missionaries. But the present
severe economic conditions in Guyana make the new gold mines of
Venezuela very attractive.
The film investigates the
conditions of these Amerindian migrants, most of whom belong to
two closely related Carib-speaking groups, the Akawaio and the Arekuna,
and many of whom work as wage labourers for large mining companies.
Their circumstances are then contrasted with those of Wally Torres,
a small mining entrepreneur of Arawak descent, who also came from
Guyana, but some ten years earlier. Although Wally is in many ways
better off than his Carib-speaking neighbours, he suffers like them
from the insecurity that stems from having no formal land rights.
These rights are denied to the Amerindians because they live in
a National Park. Yet, at the same time, large mining companies are
granted concessions that permit them to reduce the Park to an infertile
wasteland.
This film demonstrates the
potential conflict between the interests of aboriginal peoples and
the responsibility of nation states to implement ecologically sound
policies in tropical forest areas. In doing so, it also demonstrates
the complex relationship between culture and ethnic identity under
conditions of rapid social change. This film was made as part of
a special Leverhulme Fellowship to give anthropologists a chance
to make an ethnographic film and learn about film-making. Paul Henley
made the film while training at the National Film and Television
School. Catalogue numbers, (16mm: 57 min):
4RA148 £15; (VHS: 39 min): RA/VHS148 £8.
A.J.B. Colson, 1973. `Intertribal
Trade in the Guiana Highlands'. Antropológica (Caracas),
Vol. 34, pp. 5-70.
A.J.B. Colson, 1983. `El
Desarrollo Nacional y los Akawaio y Pemon del Alto Mazaruni'. América Indígena, Vol. 43, pp. 445-502.
N.M. Flowers, 1988. Review
of the film. American Anthropologist,
Vol. 90, pp. 487-89.
D.J. Thomas, 1972. `The
Indigenous Trade System of Southeast Estado Bolívar, Venezuela'.
Antropológica (Caracas),
Vol. 33, pp. 3-37.
D.J.
Thomas, 1982. Order without
Government: The Society of the Pemon Indians of Venezuela. Illinois
Studies in Anthropology No. 13. University of Illinois Press, Urbana.
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