THE PRICE OF CHANGE
...These films [including
A Veiled Revolution, The
Price of Change, and Women
under Siege] are sensitive, accurate, exciting, educational,
and very current. Not only do they reverse stereotypes of women's
roles, but they add to the understanding of male roles as well.
B. Aswad
26 minutes Colour 1982
Film-makers: Marilyn Gaunt and Elizabeth Fernea
Over the last sixty years,
women in Egypt have been entering the workforce; today nearly 40
per cent contribute to the family income. In a country where work
for women outside the home has been considered shameful, the effects
of this change are far-reaching. This film explores the changes
through the eyes and experiences of four women.
The first scenes of the
film allow the viewer into the home and family of a village leader
in family planning. Although the birth rate in Egypt continues to
rise alarmingly, only two per cent of women use contraceptives.
In the village of Shanow, a local woman acts as family planning
advisor and distributes contraceptives. In emergencies, she can
call on a trained doctor, but due to the trust this local woman
has created between herself and the other women, use of contraception
in Shanow has risen to thirty per cent. In one delightful scene,
women give their feelings and opinions about birth control while
they wait to pick up their contraceptives.
From the village we move
to Cairo to explore the work of a woman member of parliament. We
follow her through her constituency while she describes how she
discovered that she could best represent the women by introducing
family planning clinics and co-operative workshops. One such workshop
is run by Bayada, a widow. Overcrowding in the schools has resulted
in many women not learning how to read or write. Bayada's workshop
teaches them skills while other workshops teach them the literacy
they need for better jobs.
The final segment of the
film reveals the price an individual woman may have to pay to work.
Here we meet Matilda whose husband is an invalid and who works for
35 US dollars a month in a factory to support her family. In theory
the factories pay equally for equal work, but in practice this seldom
occurs. Matilda's husband tries to supplement the family income
by making jewellery and selling it through relatives at the market,
but Matilda is the breadwinner, takes care of the household duties,
helps the children with homework, and in general sees to the needs
of the family. She seems to regard her status as a working woman
with a mixture of pride and shame, an emotion shared by several
of the women in the film.
The overall effect of this
film is compelling. It is particularly effective when shown with
A Veiled Revolution, also set in Egypt
and made by the same producer and director. Elizabeth Fernea has
provided a study guide for this film and it is recommended for classroom
use. The study guide is available from: Elizabeth Fernea, Center
for Middle Eastern Studies, The University of Texas at Austin, Austin,
Texas 78712-1193, USA. Catalogue
number (16mm): 3RA125 £9.
J.P. Allman (ed.), 1978.
Women's Status and Fertility in the Muslim
World. Praeger Publishers, New York.
B. Aswad, 1985. Review of
the film. American Anthropologist,
Vol. 87, pp. 233-35.
L. Beck and N. Keddie, 1979.
Women in the Muslim World.
Harvard University Press, Cambridge MA.
E.W. Fernea, 1982. A Study Guide to the Film `The Price of Change'.
University of Texas Film Library, Austin.
E.W. Fernea (ed.), 1985.
Women and the Family in the Middle East.
University of Texas Press, Austin.
S. Gadalla, 1978. Is There Hope? Fertility and Family Planning
in a Rural Egyptian Community. Carolina Population Center, University
of North Carolina at Chapel Hill.
J. Tucker, 1976. `Egyptian
Women in the Workforce: An Historical Survey'. MERIP Reports, No.50
N.H. Youssef, 1971. `Social
Structure and Female Labour Force: Case of Women Workers in Muslim
Middle Eastern Countries'. Demography,
Vol. 8, No. 4, p. 427.
N.H.
Youssef, 1974. Women and Work
in Developing Societies. Institute of International Studies, University
of California at Berkeley.
|