THE
KAZAKHS OF CHINA
50
minutes Colour 1983
Film maker: André Singer
Anthropologist: Shirin Akiner
The
Kazakhs of Xinjiang (Sinkiang) are one of the fifty-five national
minorities that now live within the borders of the People's Republic
of China. The policy of the Chinese Communist Party toward these
people has been one of Sinification, a neutralization of `reactionary'
local leaders and an alliance of Han Chinese with the indigenous
culture. Xinjiang is a particularly sensitive area for the Chinese
because of the traditional ties of the Kazakh with the Soviet Union.
In 1962, some 50,000 Kazakhs and other non-Han peoples sought refuge
in the Kazakh Soviet Socialist Republic. Since then the Sino-Soviet
border has been closed and, until recently, the entire area was
off-limits to non-Chinese outsiders. This film offers unique ethnographic
material about the Kazakh, as well as about Chinese policies in
the years following the Cultural Revolution.
The
film follows the movement of the family of Abdul Gair, illustrates
the cycles and tensions of present day Kazakh life and mixes detail
of their traditional life as herders with suggestions of the effect
of Chinese rule. The Chinese government allowed the film-makers
freedom to choose the subjects and people for the interviews and
action sequences. Because of this, the film expresses, to a great
extent, the view of the film-maker, not of the Chinese government.
Against a background of the Tienshan Mountains, the Kazakhs are
shown branding yaks, milking mares, drinking kumis (fermented mare's
milk), making their yearly move from winter to summer quarters,
and setting up their felt-covered summer tents. Then, through the
trip of Ahmed, the production team leader to the brigade headquarters,
the film portrays the relations between Kazakh and Han, showing
the brigade's authority. Rather than livestock, formerly a mark
of wealth, being owned for individual profit, production and gain
is now controlled by the brigade leaders. Women are given more freedom
within the community. Kazakh children now have an opportunity for
education in the Kazakh language, but the teaching is largely Party
doctrine; they have health care, but this again is Chinese. Yet,
despite pre-1977 restrictions on local religion and nomadic culture,
and although Abdul Gair is himself a Party member, the Chinese do
not, as yet, control the Kazakh. The Kazakh have retained their
horses, not only as wealth, but as a means of freedom.
Here,
as in other cultures where a strong centralized government controls
a minority, the continued cultural independence of the Kazakh is
an open question. The Chinese policy is currently to move as many
Han as possible from the overcrowded central areas of China to the
less populated border areas such as Xinjiang. This film, made for
Granada Television's Disappearing World series, gives an understanding not only of a traditional
Kazakh society, but also of current changes, and of the conflicts
of domination and independence. Catalogue number (VHS): RA/VHS136
£8.
S.
Akiner, 1984. Islamic Peoples
of the Soviet Union. Kegan Paul International, London.
E.
Bacon, 1966. Central Asians
under Russian Rule: A Study in Culture Change. Cornell University
Press, Ithaca, New York.
Fei
Hsiao-tung, 1981. Towards
a People's Anthropology. New World Press, Beijing.
S.
Feuchtwang, 1983. Review of the film. RAIN,
No. 57, p. 10.
A.E.
Hudson, 1938. Kazak Social
Structure. Yale University Press, New Haven.
L.
Krader, 1966. Peoples of Central
Asia. Uralic and Altaic Series, Vol. 26, Indiana University,
Bloomington, Indiana.
G.
Moseley, 1966. A Sino-Soviet
Cultural Frontier: The Ili Kazakh Autonomous Chou. East Asian
Research Center, Cambridge, Mass.
H.G.
Schwarz, 1984. The Minorities
of Northern China. Center for East Asian Studies, Western Washington
University, Bellingham Washington. [Bibliography mostly in Chinese;
relevant pages for Kazakhs of China pp. 17-26 and pp. 259-63.]
A.
Singer with L. Woodhead, 1988. Disappearing
World: Television and Anthropology. Granada Television Ltd.,
Boxtree.
If you are interested in hiring or purchasing this film please contact the Film Officer by or +44(0)20 7387 0455.
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