INSIDE
CHINA: THE NEWEST REVOLUTION
50
minutes Colour 1983
Film maker: Leslie Woodhead
Anthropologist: Barbara Hazard
This
film is a continuation of Living
with the Revolution, set in the same communes near Wuxi and
focusing on the same families. This film concentrates, however,
on the new social and economic policies following the fall of Mao.
The new movement is from a highly collectivized system of production
to the new `Responsibility System' where the primary production
unit is again the household.
One
of the families interviewed is the Ding family. The Dings are obviously
an influential family in the village-it is called Big Ding Village;
the mother is a Party member, the father and one son are accountants,
another son is an engineer, a daughter-in-law works in an instruments
factory. The family is wealthy. By Mr Ding's own admission they
earn between 4,000 to 4,500 yuan a year in an economy where they
only require 1,500 yuan a year to live. The rest is spent on material
luxuries. This new-found wealth is presented as the result of the
new `Responsibilty System'.
Big
Ding Village is a partly urbanized community, but another commune
of the area, the Wong Jong Commune, is rural. The new policies allow
each person their own strip of land, and although the Party dictates
what the owner can plant, surplus can be sold for individual profit.
These policies are trying to strike a delicate balance to maintain
the communal ideals of the Party while encouraging individualism.
Although
Mrs Ding and others talk about the equality of women, women now
not only work away from home, but also do the traditional duties
of a wife. A young wife, who traditionally moves to her husband's
home, is still expected to serve her in-laws. A young bride's description
of her first meeting with her future husband in an arranged marriage
corresponds closely with the traditional meeting of Mr and Mrs Ding
in the years before the Communist Revolution. This film creates
a portrait of the tensions between the traditional and the new.
One such conflict is the government directive for the one-child
family. Although many families in China acknowledge the validity
of this policy, it is hard to deny the traditional importance of
a large family.
Mrs
Ding also works as a mediator in a system that tries to resolve
conflicts in the community before they reach the courts. Implicit
in the mediation are traditional Chinese values: the young must
respect the decisions of their elders for the system to be effective.
After the mediation sequence, the film shows several old men in
a tea room while the narration describes a new pension scheme that
would free younger people from taking care of their parents. This
policy undermines the fundamental Chinese principle of the value
of age and it is no wonder that the older people resent the plan.
The
film is about change, a new materialism, a refocusing on individual
effort which could threaten communal life. This is in many ways
a reassertion of traditional Chinese values; reward for individual
effort and materialism have only been strangers to China since the
Revolution. Catalogue
number (VHS): RA/VHS137 £8.
P.
Clark, 1983. `Film Making in China: From the Cultural Revolution
to 1981'. China Quarterly,
Vol. 94, pp. 304-32.
H.
Fei, 1939. Peasant Life in
China: A Field Study of Country Life in the Yangtse Valley.
Routledge & Kegan Paul, London.
C.
Howe (ed.), 1979. Studying
China. School of Oriental and African Studies, London.
A.
Jenkins, 1983. `Seeing Beyond Seeing: Films on Contemporary China'.
Journal of Geography and Higher
Education, Vol. 7, No. 2, pp. 166-78. [Review of Inside
China and Kazakh films
amongst others.]
A.
Jenkins, 1986. ` "Disappearing World" Goes to China: A
Production Study of Anthropological Films'. Anthropology
Today, Vol. 2, No. 3, pp. 6-13.
A.
Jenkins, 1988. `Granada Television Goes to China: The Choice of
Location and Characters'. Visual
Anthropology, Vol. 1, pp. 453-73.
A.
Jenkins, 1989. `A View of Contemporary China: A Production Study
of a Documentary Film'. In L. Zonn (ed.) Place
Images in the Media. Rowmen, Littlefield NY.
J.
Myrdal, 1984. Return to a
Chinese Village. Pantheon Books, New York.
V.
Nargalkar, 1982. Rural Development
Through Communes in China. S. Chand, New Delhi.
A.
Posner and A.J. de Kejizer, 1976. China:
A Resource and Curriculum Guide. Chicago University Press.
A.
Singer with L. Woodhead, 1988. Disappearing
World: Television and Anthropology. Granada Television Ltd,
Boxtree.
J.
Unger (ed.), 1980. Chinese
Rural Institutions and the Question of Transferability. Pergamon
Press, Oxford.
R.S.
Watson, 1983. Review of the films. RAIN,
No. 57, pp. 9-10.
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