WOMEN OF AIBOM
RA65 Col. 30 mins.
Director: Boris Cook
This film shows the preparation and making of a wide variety
of beautiful clay pots by the women of Aibom, a village near Chambri
Lake, Sepik District, New Guinea. Aibom is an Iatmul‑speaking
village and is not far from the Iatmul communities discussed by
Gregory Bateson in Naven (Stanford University Press, 1956) and the
Chambri (Tchambuli) villages discussed by Margaret Mead in Sex and
Temperament in Three Primitive Societies (Routledge, London, 1935).
The process of pot‑making is shown in some detail,
women carefully rolling clay into sausage‑shape pieces which
are skilfully placed one above another until a finished shape emerges.
Although men are also shown making a pot for ritual purposes, making
pots is predominantly women's work. The village relies on the trade
from these clay pots for much of its subsistence and they are found
all over the Sepik area. The commentary uses legend in order to
explain the significance and mythical history of the clay pots.
There is also a short sequence on the preparation of sago and its
exchange for pots.
Since there are so few ethnographic films that take 'women'
as subject matter, it is unfortunate that Women of Aibom has the
feeling of travelogue rather than anthropological account. However,
it must be acknowledged that it was made by the Department of Information
and Extension Services, Papua New Guinea, with a limited education
usage in mind. The film is primarily about 'clay pots of Aibom',
and no indications are given of the effects on women's social status
of their obvious economic importance as pot‑makers. Despite
its ethnographic limitations, visually the film contains some beautiful
sequences.
M. Schuster, 1967. Vorläufiger Berichttiberdie Sepik‑Expedition
1965‑1967 des Museums für Völkerkunde zu Basel. Verhandlungen
der Naturforschenden Gesellschaft in Basel, Vol.78, pp 268-82.
M. & G. Schuster, 1961, onwards. A series of short ethnographic
films made in Aibom village about pottery‑making and other
techniques. (Encylopaedia Cinematographica (G. Wolf, ed.), Institut
für den Wissenschaftlichen Film, Göttingen, 1974.)
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