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Anthropology Today is a bimonthly publication which aims to provide a forum for the application of anthropological analysis to public and topical issues, while reflecting the breadth of interests within the discipline of anthropology.
It is also committed to promoting debate at the interface between anthropology and areas of applied knowledge such as education, medicine, development etc. as well as that between anthropology and other academic disciplines.
The journal is international both in the scope of issues it covers and in the sources it draws from.
ISSN 0268-540X. Incorporating RAIN (issn 0307-6776; as from vol. 15: 0268 540X).
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THE GAZA FREEDOM FLOTILLA
Mohammed Rassas, a second-generation Palestinian, sports a T-shirt declaring his longing for the homeland he has never known. Mohammed's family was forced to leave Palestine long before he was born, with no opportunity for return. Instead, Mohammed has lived most of his life between Saudi Arabia and Greece, which became his second home.
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A Greenpeace activist dressed as Justice protests in front of the Japanese embassy in Buenos Aires. She draws attention to the trial of Toru Suzuki and Junichi Sato, two Greenpeace activists seeking to expose corruption in the Japanese whale meat industry, who are being prosecuted in the Japanese courts for theft and trespass, in a trial that has continued since 2008.
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A positive, albeit anthropomorphized, view of badgers appears in this illustration for the original edition of the children's classic Wind in the willows. Badgers are shortly to be culled in north Pembrokeshire as part of a Welsh Assembly Government campaign against bovine TB. Pat Caplan's article in this issue discusses the arguments around the cull and the reasons behind the varying positions held by local people on this issue.
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The front cover shows Joshua French and Tjostolv Moland, two Norwegian ex-soldiers accused of murdering their Congolese driver, being paraded through the streets of Kisangani in eastern Democratic Republic of the Congo (DRC) on the first day of their trial in August 2009. A second photo shows the front page of the Ugandan newspaper Sunday Monitor of 4 October 2009, reporting on the military training camp that French and Moland set up in Uganda. The two images are testimony to the wide interest their case has generated in DRC, Uganda and in Norway. With the men currently in prison in Kisangani pending an appeal against their death sentences, media coverage of their case provides an opportunity to explore the anthropology of Norwegian imaginaries in which the Congo is cast in terms of radical 'otherness', with mass-mediated discourses in Norway invoking images of Africa as a 'dark continent' that have long historical roots.
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Museum Anthropology
In 2009, the Museum of Anthropology in Vancouver, Canada, closed for six months for expansion and extensive renovations to the original building, designed by world-renowned architect Arthur Erickson. This series of photographs by David Campion documents the emergence of Haida artist Bill Reid’s great sculpture The Raven and the First Men from the plywood shelter custom built around the work to protect it during construction. This piece is recognized around the world as a sculptural icon, and draws thousands of visitors to MOA each year. It is carved out of yellow cedar, and tells the story of the origin of the Haida people. Like the Raven, the museum itself is newly emerging from a period of renewal – both physical and philosophical – and now stands poised to meet the challenges of museology in the 21st century.
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Fieldwork and Technology
The images on the front and back covers illustrate two of several reflections in this issue on the impacts of technology on the world studied by anthropologists. On the front cover, an internet cafe is one of the first sights to greet visitors to Dhunche, once a ‘remote’ area in northern Nepal. On the back cover, a youth tries out a telescope during the commemoration of the confirmation of Einstein’s General Theory of Relativity at Roça Sundy, Príncipe, where Arthur Eddington observed a total solar eclipse.
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Ethnographic Documentaries and Public Anthropology
Ethnographic documentaries are a shop window for anthropology. These cover photos represent three well received films shown at the most recent RAI International Festival of Ethnographic Film held at Leeds Metropolitan University in July. The festival is a biennial event at which visual anthropologists, filmmakers and documentarists mingle.
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Heritage Protection
Created in the aftermath of World War II, UNESCO was mandated to engage in a worldwide educational campaign aimed at establishing the conditions for lasting peace. This involved working out and disseminating a new world view based on a revised conception of human diversity. The founders of UNESCO argued that prejudice relating to human diversity is the main cause of war, and hoped that a radical modification of the existing vision of that diversity would help to guarantee of peace.
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Ethnicity, Race and the Limits of Human Identity
The front and back covers show artist Sean Weisgerber's interpretation of the theme of this issue, the problem of classifying human identity in a world of fusion and change. Articles address biometric security, the use of the concept of ‘tribe' in US army counter-insurgency programmes, and human identity as constituted in and through debate among Afghani refugees recently returned from northern Pakistan to Afghanistan.
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A boy shows off on his horse at the annual festival of racing, games and music in Barsko'on, Kyrgyzstan in October 2007. The festival includes endurance races of up to 36 kilometres over steep, rocky mountain paths and streams, a far cry from the bowling-green surfaces of Churchill Downs and Newmarket.
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